This work is concerned with the visual representation of music.
I am attempting to improve communication between composers, performers and listeners, both on a practical level (legibility, readability, etc.) and a connotative level (how can a composer better convey the deeper meanings of their music).
Examining the representation of sound on a more primitive level, this work moves outside the formal language of notation. Through quantative research I have developed a visual language which can be subjectively interpreted but also has elements of objective communication.